Beyond Words Alone: Poets as Artists of the Intentional

 

In his wonderful The New Book of Forms, Lewis Turco tells us that poets “focus on mode, on language itself.”  Focusing on language, a poet in Turco’s view is therefore an “artist of language; his or her concentration is upon the language itself.”  Taken this way, “[p]oetry can thus be defined as the art of language.”

Though these definitions of poets and poetry are correct as far as they go, they do not go far enough. Poets are artists of the intentional; they are artists using signs that point to things beyond the signs themselves.  Since words are not the only signs, why should poets limit themselves to words?  Using C.S. Peirce’s terminology, there are in fact three kinds of signs: symbols (arbitrary signifiers such as words), icons (signifiers such as paintings that resemble what they signify), and indexes (signifiers like photographs or weathervanes that participate in what they signify).  In the realm of symbols, why should poets limit themselves to words?  In the broader realm of signs, why should poets ignore icons and indexes?  They should not of course, and William Blake gives us excellent proof.   

Simon Magus: Beyond Your Heaven and Beyond Your Hell (Addition to "The Apology Box")

        Simon Magus's Case*

Stand back, Jehovah!  I do not concede
Your jurisdiction over me. Instead,
I’ve secret knowledge shared among the wise

Of greater gods that reign above your head
And rest unstained by your Creation here.

Before this secret knowledge made me wise,

Men used to drag me to your temples where
They made me watch the helpless lambs within

Writhe as men slit their bleeding, bleating throats.

It was no better outside than within. 
There children starved and there poor animals

Would tear themselves apart in roles you made

Of prey and predator.  I saw the scrolls

Recounting other evils you had done.

You made the devil.  You made man without

A sense of right and wrong then punished him

For disobeying orders not to learn

That difference giving knowledge of your wrongs. 

You tainted Lilith and her progeny

Though she obeyed and never bit the fruit.

You baited Cain to murder by your whim

Of arbitrary anger at his gift.

You killed by indiscriminate deluge

Both beasts and infants that could not have sinned.

The common language of survivors you

Destroyed at Babel where (to add insult)

You forced your syllables on men though you

Had once told Adam he could name the world.

You tortured Abraham with felony,

Made him conspire with you to kill his son.

You baited Sodom with slick angels so

You might destroy again--this time with fire.
You burned up infants, animals, and turned

Flesh salt before a husband's frightened eyes.

You tortured your good servant Joseph in

A foreign land whose tongue he did not know

In a repeat of Babel’s cruelty.

Your mind on Egypt then, you unleashed plagues

So horrid I would rather not recount

The sufferings of men or beasts whose blood

You craved on doors or threw down from the sky

Or swallowed up attached to chariots

Beneath the crashing waves that closed on those

Not choked in waters turned to blood before.

For forty years you marched men in the sand

Where you dispensed bizarre rules governing

Such things as beards and testicles of priests.

You called these “laws” so you could claim the right

And pleasure of your awful penalties.

Bored with the desert, you then turned to war

Both in the taking and the keeping of

A “promised land,” an oxymoron of

Word rightly kept to steal another’s ground.

Not only does such evil bring you down.

Your very mouth betrays you, too: "I am

A jealous god!”  Such jealousy requires

An object.  By your own admission you

Have competition and are not supreme. 
Consistent with us both, I thus reject

Your sovereignty Jehovah.  I would dwell

Beyond your heaven and beyond your hell.

*Simon Magus was a Gnostic who tried to solve the problem of evil by creating another and better realm beyond the one in which we live.

© Harold Anthony Lloyd 2016

  
The current contents of "The Apology Box" can be found here.